The Last Man of Fukushima

by Karolis Biveinis

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about

"The Last Man of Fukushima" is a project that brings together some of my compositions of classical and film music between 2006 and 2016. Ten years of composition and two styles converging on this CD, with my usual collaborator Luis Caballero on cello and Pablo Pascual on bass clarinet – an instrument that I was interessted in some time ago. As the name of the composition for cello and piano, the CD name refers and is dedicated to Naoto Matsumura, the last man of Fukushima, the guardian of abandoned animals during nippon's tragedy.

"The Last Man of Fukushima" was selected as a finalist in "III Premios Martín Códax da Música" (The Martín Códax Music Awards) in the category of classical music.

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"The Last Man of Fukushima" es un proyecto que reune algunas de mis composiciones de música clásica y música de cine entre 2006 y 2016. Diez años de composición y dos estilos que convergen en este CD, a cargo de mi colaborador habitual Luis Caballero (violonchelo) y un instrumento que, desde hace ya tiempo, me ha llamado la atención – clarinete bajo, a cargo de Pablo Pascual. Igual que el nombre de la composición para violonchelo y piano, el nombre del CD hace referencia y está dedicado a Naoto Matsumura, el último hombre de Fukushima, el guardián de los animales abandonados durante la tragedia nipona.

El proyecto "The Last Man of Fukushima" fue seleccionado como finalista en los "III Premios Martín Códax da Música" en la categoría de música clásica.

credits

released March 23, 2016

Recorded at CMUS "Manuel Quiroga" (Pontevedra, Spain) on June 24, 2015. Mixed and mastered at Radio Galega (Santiago de Compostela, Spain) on February 2 & 3, 2016. Sound engineer: Pablo Barreiro. "The last coin" (A última moeda) was recorded on October 7, 2015 for the short film with the same title. Sound engineer: Paco Brisaboa.

Artwork by Kristina Sabaite: kristinasabaite.com
Contact and booking: karolisbiveinis.com

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Karolis Biveinis Spain

Composer & Pianist

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